the late 1800’s
High quality reproduction prints of the images displayed on the website are available for purchase.
Our reproduction images are printed using archival UV inks onto a 2mm smooth, satin finish substrate, no glass = no reflection.
Framed prints are available in the following sizes:
- 14″ x 11” (355 x 280mm) $240
- 20″ x 16” (508 x 406mm) $335
- 24″ x 20” (610 x 508mm) $435
- 30″ x 24” (762 x 610mm) $580
- Other sizes on request
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Our sleek, lightweight glass free, aluminium frames are 28mm deep and available in three colours, silver, white and black.
The original hand-coloured albumen photographic images are in the collection of the Japanese Photography Gallery in Surry Hills, NSW.
About the collection:
I started collecting vintage Japanese photography from the 1800’s about 15 years ago, after reading Terry Bennett’s Photography in Japan 1853 – 1912.
I followed this up with further research, reading, Japan: Caught in time and Early Japanese Images by the same author, I became fascinated in the early photographic processes.
The following year I visited the London Photo Fair and the Paris Photo Fair and I started collecting images, I have continued collecting at photo fairs and auction houses around the globe.
In recent years I’ve felt a bit selfish keeping all these wonderful images to myself, this website will allow you to view the collection of images and purchase a beautifully printed reproduction.
I would like to thank my friend Gael Newton AM, who has always been supportive of the gallery and is generous in sharing her enormous wealth of knowledge.
Gael was the inaugural Curator of Photography at the Art Gallery of NSW, 1974 – 1985 and was Curator of Australian and International Photography at the National Gallery of Australia, 1985 – 2014.
About the photography:
After photography was introduced in Japan in 1848, the medium soon became popular. The Japanese called photography Shashin, meaning a reproduction of reality.
The first cameras came to Japan through the Dutch trading post Dejima located in the Nagasaki Bay around the middle of the nineteenth century. The trading post’s physician offered instruction in photography and wrote the first manuals for the Japanese on the use of the camera and photographic techniques.
From 1870 onwards the number of photo studios increased significantly and the production of photographic albums became a small industry. Images of famous views and important religious sites were popular, as were images depicting people in domestic settings.
The introduction of photography and European printing methods to Japan in the nineteenth-century unfortunately precipitated the decline in popularity of ukiyo-e woodblock prints. The themes being used in the creation of woodblock prints were taken up in photography and the artisans who had previously worked with colour printing-blocks applied their talents to hand colouring the albumen photographs using soft water-soluble pigments.